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When Shall We Stand? | Ogunsanya Enitan Olalekan - Appreciate Language and Form through the Best Contemporary Poetry

When Shall We Stand? | Ogunsanya Enitan Olalekan

Take a look at our crawling minds
as they walk on their fractured knees
hands knitted to the earth podium
all on the journey to move on.
Tell it to Papa
to pass the message across
with his dusty rusty gong
round the nooks and crannies of men’s hearts
the message to stand up to the challenge.
Sound it into the eardrum of mama
to inform her mates-market women
to tie their wrappers round their waists
with loins to fit
for the fire is about to be kindled.

Blind Destiny | Art Koulakani - Appreciate Language and Form through the Best Contemporary Poetry

Blind Destiny | Art Koulakani

My mother came from a blind destiny.
From periods of unjust cruelties.
She lived through a time of an old oligarchy to the new one, only the golden crown was replaced by a black turban.
She lived through the periods of human against inhumanity
My mother was a Persian gypsy and sang her freedom song so long in
dark alleys till her voice went blind like her life.

Locus | JD DeHart - Appreciate Language and Form through the Best Contemporary Poetry

Locus | JD DeHart

this is the location
from which ideas
are born
tethered to one or two
theories
tied to a way a knowing
clustered, coagulated
around a question
from which more questions
are ultimately born

Coming to Earth | Zarrineh - Appreciate Language and Form through the Best Contemporary Poetry

Coming to Earth | Zarrineh

Coming to Earth was a privilege for selected few, even up in Heavens, no one knew,
When it is your time to join the flight crew, not even a single clue,
A particle in a pile of clay, I wondered when it would be my day,
Rumi’s word on my tiny mind, “Love is a phenomenon of no other kind”,
I hear the flutter of wings; angels selecting different things,
Afterwards, it is quite blurry; there is a commotion and a flurry,
I am in a sack of water; from outside I hear laughter,
I see this young man caressing a woman’s cheek; his voice trembling and thick,
Somehow, I feel his touch, between us there is connection as such,
They dance to a series of songs, breathing happiness to their lungs,
My world is dark, limited and stark,
I am fed with a tube attached to my belly, unable to bounce freely,
No difference between my day and night, I am missing The Light,
All of sudden, I sense a stir, everything is fast and blur,
She cries of pain, his hand clenched to hers like a chain,,
I am going down; I am going to drown,
There is no hope in this darkness, oh what a mess!
Wait a minute; in unison they say, I love you, welcome to our crew,
I open my eyes; I see lots of light, things I don’t recognize,
But, I smell love; it was worth it, the push and the shove,
The road to love is pretty intricate; believing in love is significant,
I grab his finger really tight, sucking on her breast with all my might.

When...How...Why...? | Akinbode Israel - Appreciate Language and Form through the Best Contemporary Poetry

When…How…Why…? | Akinbode Israel

The veins of our children,
Lacking blood…dried pipes.
Swimming in dehydrated waters,
Drowning in sweats of shame.
The eyes of our children,
Lids are glued…scary sights seen,
Little eyes have seen rotten bodies,
Why won’t they choose to die young.
The robes of our children,
A carpet for hungry termites,
A hide and seek for rats,
Loosing out their skins to nakedness.
Our children’s palms,
Older than their minute age,
Is nature wicked?
Or our leaders are broken ladders?
When…
How…
Why…
…our children like this?

Country Song | Alec Solomita - Appreciate Language and Form through the Best Contemporary Poetry

Country Song | Alec Solomita

A slight ache throbs behind
my eyes,
a little ache
just behind my eyes.
I am studying how I may compare my…
A shaft opens up from my throat to my groin.
Sighs are my food, drink are my tears…
Waking is darker than sleep.
I dreamt of blood while beside me
a madwoman laughed.
And this morning, the TV runs on,
bringing her comfort and me
a feeling so lonesome I could
—–
Alec Solomita has published fiction and poetry in Eclectica, The
Adirondack Review, The Mississippi Review, Southwest Review, and
elsewhere. Most recently, his work has appeared in Turk’s Head
Review, MadHatLit, Truck, 3ElementsReview, and Atomic. Several of his poems will be published in the forthcoming Fulcrum: An International Anthology of Poetry and Aesthetics. He lives in Somerville, Mass.

A Poor Belly | Pijush Kanti Deb - Appreciate Language and Form through the Best Contemporary Poetry

A Poor Belly | Pijush Kanti Deb

In a prize-giving ceremony
a belly is found astonished
standing on the stage
holding his given prize-
a piece of rope,
upset too
looking at other prize winners
as at least
fingers are blissful with pen and brush,
eyes and nose with a bunch of flowers,
ears are lost in hilarious clapping,
young heart dances
with a bag- full of likes and comments,
and old soul takes a nap
holding a running piece of peace
and prompted
to leave the stage
throwing a flying kiss and a muted query
to the audience,
“Why to fasten a poor belly
though it’s the only way to heart?”

Even the Air Is Still | Joe McGurn - Appreciate Language and Form through the Best Contemporary Poetry

Even the Air Is Still | Joe McGurn

not convinced that I understand poetry
not convinced that I like it anyway
the way it gets all caught up in words and reflection
the way it mixes imperfect recollections with
a gnawing sense of loss and loss and loss
not sure that there’s an answer to prayers or
if there is anyone who listens to mine or
cares if I am in the midst of a crowd or
sitting alone staring at an empty page pen in hand
wondering where to begin, where to end
a red sun rises in the east red rays color my room
not a sound to be heard this summer morning
not one bird all atwitter in a branch outside
my open window even the air is still
no one hears my passing thoughts fears
I am a quiet morning without a breath of air
a pen scratching aimless inside a notepad.

S. A. O. | Jonathan Hammond - Appreciate Language and Form through the Best Contemporary Poetry

S. A. O. | Jonathan Hammond

They like to call it seasonal affective disorder.
When summer dies, the roller coaster soars no longer.
The vacant stare returns into the orbs of the beholder.
Impatience and despair freezes the water-well of hope,
as emptiness increases in the hearts of ones who cope.
Over and over again, depression avalanches these souls.
For days on end, the mountain seems hopelessly higher
and harder to climb. Once, I pondered drowning deeper.
Then, when numbness forbid my will to stand, I saw her,
flying by imperfectly with answers in her teeth.
We knew so little of each other at first. I mean,
she served me coffee and I came back to read every week.
This one time, she joked with me about bringing so many
books to read and I told her my mind wandered frequently,
so it made more sense to have variety and she agreed with
me. It was the first of many conversations we would share.
And now at night I drop to dreams, asleep behind her hair.
We laugh as August disappears, though now I do not care.
As robust autumn makes way for the snow of sister winter,
I think of ways to keep her hopeful through New England
blizzards. Her every kiss is blissfulness and sinks through
skin and bone. I still experience throes of sadness,
but it’s easier at home. I know the sound of sirens,
and they’re easy to ignore. I hold the joy she’s given me, like
flower metaphors. For blooming in my optimism is this vision
clean: that even if depression strikes, at least I have my Queen.
And even if she goes away, her memory sets me free.

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